巴伐利亚回响——2025上海大剧院歌剧节
Bavarian Resonance: SGT Opera Festival 2025
巴伐利亚国家管弦乐团音乐会
Bayerisches Staatsorchester
时间： 2025年10月3日（周五）19:30
地点： 上海大剧院·大剧场
票价： ￥180、￥280、￥380、￥480、￥580、￥680、￥880
Date & Time: 2025/10/3 Friday 19:30
Venue: Lyric Theatre, Shanghai Grand Theatre
Tickets: ￥180,￥280,￥380,￥480,￥580,￥680,￥880
指挥：弗拉基米尔・尤洛夫斯基
女中音：艾古尔・阿赫梅辛娜
Conductor: Vladimir Jurowski
Mezzo-soprano: Aigul Akhmetshina
理查德・瓦格纳
《唐豪瑟》序曲（德累斯顿版）
《魏森冬克之歌》
理查德・施特劳斯
《蒂尔的恶作剧》，作品 28 号
《玫瑰骑士》组曲
Richard Wagner
Overture to Tannhäuser (Dresden version)
Wesendonck Lieder
Richard Strauss
Till Eulenspiegel’s Merry Pranks, Op. 28
Suite from the Opera Der Rosenkavalier
时长：约90分钟（含一次中场休息）
Length: c. 90 minutes (incl. one intermission)
* 曲目信息、艺术家及时长或有变动，请以现场演出为准。
* All information on programme, artists and duration is subject to change.
关于艺术家
About Artists
指挥
Conductor
弗拉基米尔・尤洛夫斯基
Vladimir Jurowski
弗拉基米尔・尤洛夫斯基，生于莫斯科，在莫斯科音乐学院开始音乐训练，后在柏林和德累斯顿的音乐学院继续深造。1995年，他在韦克斯福德艺术节执棒尼古拉・里姆斯基-科萨科夫的《五月之夜》，完成了作为歌剧指挥家的国际首秀。同年，他首次登台英国皇家歌剧院执棒《纳布科》。此后，他多次以客座指挥身份亮相纽约大都会歌剧院、米兰斯卡拉歌剧院、巴黎国家歌剧院、莫斯科大剧院、德累斯顿森帕歌剧院以及萨尔茨堡音乐节等知名艺术场所。1997年至2001年，他担任柏林喜剧歌剧院首席指挥，随后担任格林德伯恩音乐节音乐总监至2013年。2007年至2021年，他担任伦敦爱乐乐团首席指挥，此后一直担任该乐团的名誉指挥；自2017年起，他担任了柏林广播交响乐团的首席指挥兼艺术总监。同期至2021年，他也是启蒙时代管弦乐团的首席艺术家，并担任布加勒斯特乔治・埃内斯库国际音乐节和俄罗斯国立模范(斯维特兰诺夫)交响乐团的艺术总监等职。他定期与欧洲室内乐团和“联合柏林”乐团合作。此外，他还曾以客座指挥身份与柏林爱乐乐团、莱比锡布商大厦管弦乐团、德累斯顿国家管弦乐团、苏黎世音乐厅管弦乐团、维也纳爱乐乐团、阿姆斯特丹皇家音乐厅管弦乐团、纽约爱乐乐团以及波士顿、芝加哥、克利夫兰和费城等交响乐团合作。在2015/16演出季，他在巴伐利亚国家歌剧院的学院音乐会上完成首秀，指挥了谢尔盖・普罗科菲耶夫的《第三交响曲》等作品；随后，他指挥了新制作的歌剧《火天使》。在 2020/21 演出季，他还指挥了《玫瑰骑士》的新制作。自2021年起，他担任巴伐利亚国家歌剧院的音乐总监，除了一系列音乐会外，还指挥了《鼻子》《卢丹的魔鬼》《女人心》《战争与和平》《哈姆雷特》《蝙蝠》《乘客》和《莱茵的黄金》等作品的首演。2024年，他被国王查尔斯三世授予大英帝国最杰出勋章荣誉骑士指挥官称号。
Vladimir Jurowski, born in Moscow, began his musical training at the Moscow Conservatory and continued it at the conservatories in Berlin and Dresden. He made his international debut as an opera conductor in 1995 at the Wexford Festival with Nikolai Rimsky-Korsakov's Mainacht. In the same year, he made his debut at the Royal Opera House Covent Garden in London with Nabucco. Since then, he has made guest appearances at the Metropolitan Opera in New York, the Teatro alla Scala in Milan, the Opéra national de Paris, the Bolshoi Theater in Moscow, the Semperoper in Dresden and the Salzburg Festival, among others. From 1997 to 2001, he was First Kapellmeister of the Komische Oper Berlin and subsequently Music Director of the Glyndebourne Festival until 2013. From 2007 to 2021, he was Chief Conductor of the London Philharmonic Orchestra and has been Conductor Emeritus there ever since; he has also been Chief Conductor and Artistic Director of the Rundfunk-Sinfonieorchester Berlin (RSB) since 2017. He is also Principal Artist of the Orchestra of the Age of Enlightenment and was Artistic Director of the International George Enescu Festival in Bucharest and the Russian State Academic Symphony Orchestra “E. F. Svetlanov” until 2021. He regularly collaborates with the Chamber Orchestra of Europe and the ensemble unitedberlin. He has appeared as a guest conductor with the Berlin Philharmonic Orchestra, the Leipzig Gewandhaus Orchestra, the Staatskapelle Dresden, the Tonhalle Orchestra Zurich, the Vienna Philharmonic Orchestra, the Royal Concertgebouw Orchestra in Amsterdam, the New York Philharmonic Orchestra and the symphony orchestras of Boston, Chicago, Cleveland and Philadelphia. In the 2015/16 season, he made his debut at the Bayerische Staatsoper in an academy concert with Sergei Prokofiev's Symphony No. 3, among others; he subsequently conducted a new production of his opera Der feurige Engel. He also conducted the new production of Der Rosenkavalier in the 2020/21 season. He has been General Music Director of the Bavarian State Opera since 2021 and has conducted the premieres of Nos / Die Nase, Die Teufel von Loudun, Così fan tutte, Krieg und Frieden, Hamlet, Die Fledermaus, Die Passagierin and Das Rheingold in addition to a series of concerts. In 2024 he was appointed Honorary Knight Commander of the Most Excellent Order of the British Empire by His Majesty King Charles III.
女中音
Mezzo-soprano
艾古尔・阿赫梅辛娜
Aigul Akhmetshina
女中音艾古尔・阿赫梅辛娜曾就读于乌法音乐学院，参加过意大利斯特拉雷庄园音乐节，并参与了由伊尔达尔・阿布拉扎科夫、芭芭拉・弗里托利和德尔福・梅尼库奇主持的大师班。她在比赛中斩获颇丰，包括国际汉斯・加博・贝尔维德雷歌唱比赛大奖、弗朗西斯科・阿拉伊扎索诺拉国际歌剧比赛三等奖，以及俄罗斯青年德尔斐运动会铜牌。从2017年起，她成为英国皇家歌剧院“杰特・帕克”青年艺术家计划的成员，在那里她因首次出演的角色而广受赞誉，如梅塞德斯和《卡门》中的主角，《命运之力》中的普雷齐奥西拉，《茶花女》中的弗洛拉，以及《姆岑斯克县的麦克白夫人》中的索尼耶特卡。此后，她还以《乡村骑士》中的洛拉等角色重返该剧院。从那以后，她的身影出现在众多知名剧院和音乐节，包括柏林德意志歌剧院、汉堡国家歌剧院、苏黎世歌剧院、巴黎国家歌剧院、马德里皇家歌剧院、韦克斯福德节日歌剧院、以色列歌剧院、旧金山歌剧院、纽约大都会歌剧院、东京新国立剧院，以及巴登-巴登节日剧院（《黑桃皇后》中的波林娜）、博热歌剧节和格林德伯恩音乐节。她的演出剧目还包括《塞维利亚的理发师》中的罗西娜和《灰姑娘》中的主角，《弄臣》中的马达莱娜，《纳布科》中的费内娜，以及《叶甫盖尼・奥涅金》中的奥尔加。2023年，她在巴伐利亚国家歌剧院以饰演《卡门》的主角完成首秀；2024年夏天，她还在慕尼黑歌剧节户外公开展演音乐会上担任独唱。
Mezzo-soprano Aigul Akhmetshina studied at the Ufa Conservatory, took part in the Estate Stellare Festival in Italy and participated in masterclasses with Ildar Abdrazakov, Barbara Frittoli and Delfo Menicucci. Her competition successes include the Grand Prix at the International Hans Gabor Belvedere Singing Competition, 3rd prize at the Sonora International Opera Competition Francisco Araiza and the bronze medal at the Youth Delphic Games in Russia. From 2017, she was a member of the Jette Parker Young Artists Programme at the Royal Opera House Covent Garden in London, where she gained acclaim with role debuts such as Mercédès and the title role of Carmen, Preziosilla (La Forza del Destino), Flora (La Traviata) and Sonjetka (Lady Macbeth of Mtsensk) and where she has since returned as Lola (Cavalleria Rusticana), among others. Since then, she has appeared at the Deutsche Oper Berlin, the Hamburg State Opera, the Zurich Opera House, the Opéra national de Paris, the Teatro Real in Madrid, the Wexford Festival Opera, the Israeli Opera, the San Francisco Opera, the Metropolitan Opera in New York and the New National Theatre Tokyo as well as at the Festspielhaus Baden-Baden (Polina in Pique Dame), the Opéra de Baugé Festival and the Glyndebourne Festival. Her repertoire also includes Rosina (Il Barbiere di Siviglia) and the title role in La Cenerentola, Maddalena (Rigoletto), Fenena (Nabucco) and Olga (Eugene Onegin). She made her debut at the Bavarian State Opera in 2023 with the title role in Carmen; she was also a soloist in the “Opera for All” concert in summer 2024.
巴伐利亚国家管弦乐团
Bayerisches Staatsorchester
2023年，巴伐利亚国家管弦乐团迎来了其五百周年庆典，使之成为世界上最古老且最具传统的乐团之一。乐团常驻巴伐利亚国家歌剧院，共计有144名成员，既在乐池中进行演奏，也有舞台上的音乐会演出。2024年，该乐团在《歌剧世界》杂志开展的评论家评选中连续第十次，共计第十二次当选“年度乐团”。此外，凭借其在巴伐利亚国家歌剧院唱片公司录制的作品——歌剧《死城》《雪皇后》以及马勒《第七交响曲》，该乐团在伦敦留声机奖中获得认可，这在留声机奖的历史上是前所未有的成就。
1811年，前宫廷乐团的成员成立了“音乐协会”，该协会通过“学院音乐会”创办了慕尼黑首个公开音乐会系列。直至今日，“音乐协会”及其活动仍在塑造着慕尼黑乃至巴伐利亚自由州的音乐生活。除了在慕尼黑的演出活动，该乐团还开展了众多客座演出和音乐会巡演，定期去往世界各大音乐中心登台亮相。
巴伐利亚国家管弦乐团曾首演多部作品，包括沃尔夫冈・阿马德乌斯・莫扎特的《伊多梅纽》和理查德・瓦格纳的《特里斯坦与伊索尔德》《纽伦堡的名歌手》以及《莱茵的黄金》和《女武神》。许多当时最重要的音乐界人物曾担任该乐团的首席指挥，从赫尔曼・莱维、理查德・施特劳斯、费利克斯・莫特尔、布鲁诺・瓦尔特、汉斯・克纳佩茨布施，到乔治・索尔蒂爵士、约瑟夫・凯尔贝里、沃尔夫冈・萨瓦利什、祖宾・梅塔、长野健和基里尔·别特连科。该乐团与卡洛斯・克莱伯也曾有密切的合作关系。在2021/22乐季，弗拉基米尔・尤洛夫斯基以巴伐利亚首席音乐总监的身份开始接管巴伐利亚国家管弦乐团。
In 2023, the Bayerische Staatsorchester celebrated its five hundredth anniversary, making it one of the oldest and most traditional ensembles in the world. Based in the Bayerische Staatsoper, the orchestra and its 144 members perform both in the orchestra pit and on the concert platform. In 2024, the orchestra was voted Orchestra of the Year for the tenth time in a row and for the twelfth time overall in the critics' survey conducted by Opernwelt magazine and was also honored at the Grammophone Awards in London for its recordings on the Bayerische Staatsoper Recordings label as an opera and symphony orchestra (for Die tote Stadt and The Snow Queen as well as for Mahler's Symphony No. 7) - an unprecedented success in the history of the Grammophone Awards.
In 1811, members of the former court orchestra founded the Musikalische Akademie e. V. association, which established Munich's first public concert series with the Academy Concerts. To this day, the Musikalische Akademie and its activities continue to shape the musical life of Munich and the Free State of Bavaria. The activities in Munich are complemented by numerous guest performances and concert tours, which regularly take the orchestra to the world's most important music centers.
The Bayerische Staatsorchester staged several premieres, including Wolfgang Amadeus Mozart's Idomeneo and Richard Wagner's Tristan und Isolde, Die Meistersinger von Nürnberg as well as Das Rheingold and Die Walküre. Many of the most important musical personalities of their time led the orchestra as chief conductors: from Hermann Levi, Richard Strauss, Felix Mottl, Bruno Walter and Hans Knappertsbusch to Sir Georg Solti, Joseph Keilberth, Wolfgang Sawallisch, Zubin Mehta, Kent Nagano and Kirill Petrenko. The orchestra also had a close relationship with Carlos Kleiber. With the 2021/22 season, Vladimir Jurowski has taken over the management of the Bayerische Staatsorchester as Bavarian General Music Director.
